Bonding with Beethoven (4)
In order to really understand the 127 Adagio, I’ve got to come up with some lyrics. But I cant do that in my head. The melodic curve is too long. It must be hammered out on an instrument. The four-flats key signature and the full two-octave pitch range rule out my playing it on the recorder. I need a keyboard. I search Craigslist and find one for sale by a student in Laguna for $35. It takes a week to track down the missing power supply. Now I will enter the dark world of the black keys that scared me away from piano lessons in grade 5.
How to finger those notes scored for the first violin? I google “four flat scale” and find it’s A Flat major and come up with several different recommendations for fingering it. I try them all, writing and erasing numbers above the first few measures. None tells me which finger to use when the melody skips successive notes or makes its breathtaking leaps.